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The X-Pro2 is a 24MP high-end X-mount camera whose appeal is inextricably linked to its innovative optical/electronic hybrid viewfinder. It offers excellent image quality and some of the best out-of-camera JPEGs on the market, and comes in a well built, elegant body with plenty of direct control.
Video is good but not cutting-edge either in terms of quality or supporting features. When it comes to still image quality the X-Pro2 can deliver.
Whether or not this is the camera for you depends on whether you find its styling (and predisposition towards prime-lens shooting) appealing, or unnecessarily idiosyncratic. Overall scoreSamples galleryPlease do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our ). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.Unless otherwise noted images taken with no particular settings at full resolution. Because our review images are now hosted on the 'galleries' section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples. Pre-production samples galleryPlease do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our ). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.Unless otherwise noted images taken with no particular settings at full resolution.
Because our review images are now hosted on the 'galleries' section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples.These images were shot using a pre-production camera running near-final firmware and, as such, should be considered beta samples, since final image quality may differ. Scratch that, we’re onto version 5 now which in addition to the 4K etc also adds faster focussing in low light, a flicker reduction mode, and the option of larger indicators in the viewfinders.It would be great if DPR could update this review for posterity, given that (with the XT3 release) we’re now nearing the end of the line for this generation of camera. Pretty soon they’ll be reviewing the X-Pro3 and the inevitable comparison will lead people to believe that features like 4K video, flicker reduction, all the focussing improvements etc are brand new to the newer model, which won’t actually be the case at all. I´m not that sure. On the first look, the X Pro 2 seems to be perfect for my purposes, and, in mho, looks great and has a reasonable price tag. But: every time when I browse through the examples, the strange color rendition has me deterred.
Seems that LR or whatever has been used for the RAW conversation, still struggles with the RAF files. Hard to describe, the files have something, well, 'dirty' or too dark. I had it for a weekend and returned it due to the colors. Everything else was great. It´s kind of sad.I´m the only one here or does anyone get better results with different RAW processing? Links and / or examples are highly appreciated. I get that comparing the X Pro 2 with the Nikon D5500 is logical in the sense that they're APS-C sensors, but it also seems true that these two cameras are quite different user levels.
I might be projecting here, but I think the D750 is a more logical comparison despite the sensor size difference. I know a wedding and event photographer that ditched their DSLR system for these. My experience with Fuji was, I had to sell off the X100T soon after buying it as the performance just wasn't there for me. But I'm looking forward to seeing if this one will let me save my neck and put down my Nikon for most shooting. Quite simply the best camera I've owned in the 20 years since I stopped using my Nikon F3.Brilliant if you like full manual control and can't be doing with fiddling in menus.Very solid and feels terrific in the hand.Razor sharp shots with the f2 lenses. Unbelievable with the 56 1.2 - what a lens!Focus point toggle great once you get used to it.Start-up and shooting with no discernible delay.Amazingly quick and accurate autofocus.No, it doesn't have a tilt screen or a built in flash - you'll survive without those, but if you can't, get a different camera.Stick one of the f2 lens on the front and you need nothing else.I just put it on aperture control, auto ISO, and away you go.If you can resist the temptation to review every shot the battery will last you a few hundred shots.
A spare is essential.The Acros film simulation is a real joy. You can bracket it with a colour 'film' and you have the ability to shoot RAW to one card and jpg to the other. Ridiculous to describe the EVF as poor, it’s not as large and immersive as an XT2’s etc but it’s just as sharp and has a very high refresh rate.
As an alternative to the optical finder it works very well and as a combination the hybrid finder is head and shoulders above anything else on the market.Battery life is also better than some reviewers suggest, the optical finder allows it to last much longer than other Fuji’s of this generation.Also, Fuji’s last firmware update added a “large indicators” mode which optionally replaces the VF information with customisable larger font versions. To me It has been the worst 2000$ investment of my life.I really enjoyed everything about this camera (except the short battery life).The usability, image quality, the look and the promise of high quality, weather resistant camera, prepared for rugged use convinced me to buy it.The nighmare begin when i am shooting outside and a rainstorm suddenly start. The camera got rained on for a few second before i put it in a towel, press to sponge it a little, put it in a waterproof bag. When i got to a dry place i openned the bag to check the camera.
There was still a bit of water on the camera so i openned the battery door, and i saw that there was water everywhere in the compartment. I tried to dry it then sent it to fujifilm canada for evaluation. Their conclusion: the camera is scrap and all they can propose is a brand new camera at 10% rebate.
So beware when buying high end fuji cameras. Their 61 points seal, weather resistant body did not do the job in my case. I've been using this camera for a few months now and it strikes me that there should be a new review. There have been 2 firmware updates since I bought it, it's a very different camera to the original pre production model.
I doubt a reader could make a well informed decision with the old reviews. The Pro 1 had a good few weak points, especially auto focus issues and start speed, but could still produce great images.
Those weaknesses are not apparent in the new camera, and the latest V3.00 firmware improving continuous focus, which probably needed a tweak.I wanted to use my old Leica lenses and the new focus aids really work and produce some amazing results. Fuji seems to listen when making the firmware updates.I now use it with the new 23mm f2, it's great to use, faster focusing, light and discrete compared to SLRs. The handling is better with the 'nipple' toggle and I'm okay with it being as chunky as the original, if it was smaller the controls would be too cramped for me. Yeah, I just got the X-Pro 2 yesterday, and it surprised me how everything is smaller compared to the X-Pro 1's finders. The overlays are tiny, and also the default magnification on both EVF and OVF are less than the X-Pro 1. I can understand reducing the magnification on the OVF to better cater for wide angle lenses, but it makes zero sense on the EVF to do so for consistency's sake but sacrificing visibility in exchange.The EVF may be much more responsive, but it looks washed out compared to the ones on my previous X-T10, X30. Having switched from the X-T1 (which I loved, but shooting prolonged through the EVF was giving me headaches and dizziness), the EVF on the X-Pro 2 feels like a major step down.
I have an x-pro 2 and I love using it.I must say that I NEVER use the info in the VF. I was barely even aware that the info was there! I do take notice of the focus point and the green level line, but apart from that the VF is for composition only.For my part I wanted a camera that could be used fully manually. I set the aperture, shutter speed, Exp compensation and ISO on the dials and can see what I've done by looking at the dials.
I can live without knowing what the dynamic range, WB, metering mode, etc is. '.It may not quite be as immediate and direct as shooting with a real, manual focus rangefinder (something I think all enthusiasts should experience at least once).' Ahh.that takes me back, my first 'real' camera, which I still have, was a Yashica rangefinder, I must have taken thousands of slides with it.I was leaning towards the X100T with it's 35mm for street scenes on my travel. I don't use mid-range lenses for my Nikon DSLR, just the 70-200mm and 85mm mostly for portraits and people. The X-100T will be my mid-range for street and travel shooting.But now comes this X-Pro2, with a wide and fast prime, it will serve the same purpose.
Road Trip Band
And come to think of it, I think there are a few ultra-wide prime lenses in the 10mm - 14mm range, may be I don't need the Nikon 14-24mm for interior shots after all.Hmm.what to do. The sensors are similar but that's only one aspect of a camera. The feature set, and price of the X-Pro2 puts it in a different category from the a6300 (though you can check a box to allow you to look at them both, so long as you're aware it's not a like-for-like comparison).Anyone who wants any of the a6300's video or autofocus capabilities would be very poorly served by an X-Pro2 and anyone wanting the more direct, dials and hybrid viewfinder of the X-Pro2 would hate the a6300, so I doubt many people will be trying to choose between the two. Just got an X-Pro 2 in hand.
No one carries Fujifilm products in my area, or at least none of the nicer cameras in the line. So I've never actually handled one.I am pleasantly surprised with how it handles. I know I'm being a bit premature here as I've not yet seen the output or put it through any testing.However, the handling suits me fine. I feel like I'm 22 years old again and just getting into film cameras.
The optical viewfinder doesn't throw me at all, but I'm glad the camera viewfinder has an electronic option.I don't know how well my longer lenses will work, as I know many reviews cautioned against using longer lenses on this particular camera. I'll keep my XT-10 around until I can afford the higher end X-T2. Together I'm sure I'll be ready for anything. So, so long to my Sony friends on the forums, and I hope to be active on the Fujifilm threads.
I've had my X-E2 as a pre-order, so basically from the day it was released (it replaced an X-E1). I am contemplating replacing my X-E2 with an X-Pro2 or X-T2 (or the mythical X-E3). While image quality is not the only factor (there are the improved controls, other benefits the Pro and T series have over the E series and some disadvantages too) I looked at the Studio test and compared the X-Pro2 to the X-E2 in the dimply lit setting and ISO 6400 and looking at RAW. Am I seeing correctly that the per-pixel noise is higher for the X-Pro2?Again, I know this is by far not the only factor, but please stay within the narrow scope of this question if you care to reply and don't start a thread about all the other advantages of either X-T2 or X-Pro2 or a thread about how newer equipment won't make my photos better or stating I should really get a lens.Thanks! I ended up selling my X-Pro2 and keeping A7. Eventhough it is a leap forward compared to previous x-trans sensor, fine detail, less color smearing etc it is still not comparable to FF by any means (DR, Low ISO, Fine Details.).
I also found no advantage of having OVF. This camera should not cost for than 800 dollars as it is not leading the industry but just lagging behind (compared to A6300, D5500 etc) except probably build quality. I am fully invested in Fuji and like it, but for landscape XP2 is not enough, for anything else 16MP xtrans sensor will not make much difference. For 1700 USD I now have a Sony A7 and a Zeiss 16-35 f4.
Is it also better than XP2 and 10-24 combined? It is funny how people's opinions can vary so much. I sold my A7 and bought the xpro2. I think the noise control on the xp2 is better than the a7. Love how the camera handles too. Probably my favorite camera ever. I bought the x100s thinking I would love it too and just sold it after several weeks of trying to like it.
I know there are some many out there that love it. I bought a used rx1 instead for my everyday camera. I did love that Sony 16-35 f4. I have not tried the fuji 10-24 yet. I have the 16 f1.4 and it is fantastic. PaulDavis, Xpro2 high iso files look cleaner but lack sharpness and detail even compared to an old FF sensor as in Sony A7. In studio comparison tool the difference is too obvious.
Also dpreview compensates the exposure difference, I am not sure what they do but in real life at same ISO Sony is able to gather 2/3 stops more light. So you get the same light at ISO4000ish on Sony and ISO6400 on Fuji. Fuji is still great because of controls and great choice of lenses and good enough sensor. For example at the moment I am really struggling to find a proper prime for my A6300 (14mm, 16mm f1.4, 56mm f1.2 equivalent of lenses). I will definitely buy an XT2, and luckily I have a huge shopping list for lenses. My first 'good ' camera was a Canon T3i (maybe 4 years ago). My second was a Canon 5D-Mk3 as I was looking for my final camera (yea).
After a trip to Italy, carrying maybe 15+# of stuff on my shoulder, I decided to look at mirror-less. I have learned over the years that I don't want a camera without an optical viewfinder. This drew me to the S-Pro2. However, the thing I missed most with my 5D-Mk3 comparing it to the T3i, was the loss of the tilt rear screen, which I did use a lot. Do I keep waiting? The X-Pro 2 is certainly faster than any digital M, but that goes without saying.
The original X-Pro 1 debuted roughly at the same time as the M240 and was even slower to write, and so slow sometimes that 100% magnification, etc., took several tries.As for build: are you sure you've handled an M240? It could be thrown through the X-Pro 2. I understand that the X-Pro 2 is monumentally more accurate (sensor-based AF is a nicety one doesn't forget), but the experience of shooting it will be idiosyncratic to the person shooting.Personally, I prefer much simpler interfaces, and find the X-Pro 2 too button-friendly. It is a great camera, and, apart from a few extraneous buttons, the most true-to-form X camera out there. But let's not kid ourselves.As to IQ: sure.
The M240 at high ISO isn't great. But its DNGs are faster to process, compatible out of the box with most any software, and industry accepted.I'm still debating: SL or X-Pro 2. For new entrants into the X mount, perhaps. Fur guys like me who jumped at the X-pro1 as an affordable Leica-like platform four years ago and that have a considerable investment in glass it will be hard to make the switch.
As the X-Pro2 is now, it's a great light camera with superb IQ. I'd also like that it was FF but budgetwise it's hard to consider. I'd rather get a digital Leica M and use my Leica glass; however, the X-Pro2 beats the current Leicas hand down. Fortunately I have a FF Nikon and enough glass to cover the spectrum I need and beyond.
Road Trip Cast
Started with a Nikon F in the late 60's. I'm not sure why you dismiss the ISO control so quickly. It doesn't take so much more dexterity than other physical controls, it's just a different technique. My own view is that it's much easier than the X-T1's ISO dial, the latter requiring you to either reach across the top of the camera with your right hand or temporarily support the camera's weight with your right hand while changing ISO with your left. The X-Pro2 ISO dial is right where it should be, where it can be controlled with the right hand. The lift and turn action is one that many of us mastered decades ago with film cameras. I've found it smooth and quick thus far, and have not wound up turning the shutter speed dial by mistake (but then my SS is often set to Auto, locking it into place unless I push the button).
I bought an X-Pro2 to replace my much loved X-Pro1.The key benefit that I am enjoying is the upgraded hybrid viewfinder which at last makes legacy lenses easily usable on this camera. One can now set a frame for the correct focal length and have a focus aid in the bottom right hand corner, allowing you to use non Fuji lenses in optical as well as electronic viewfinder mode. Fantastic!The phase detect autofocus for Fuji lenses is a huge step forwards also.Nice to have are the new Chrome and black and white renderings for JPGs- they are subtle and lovely!Well done Fuji- everything that was good about the X-Pro1 is retained with excellent new functionality added.
It's very nice and I'll probably buy one at some point. There're two big problems with it as far as I can see, and one minor one.
The minor one is the weird colour filter which causes more problems than it solves. The biggies are the horrid grid artifacts Lloyd Chambers identified, apparently caused by lens-sensor reflections, and the silly launch price. It's a nice camera, more or less on a par with a Nikon D7200, which isn't far off costing only half as much!Still, it's very funky, I use my X-Pro1 quite a lot for hand held work, and I'll probably pick one up in a year or so. I know what you mean. I've been shooting my X-Pro1 lately while my D810 is away being repaired and I really enjoy it. I got my X-Pro1 new last year for about £300 and can therefore overlook the flaws in the system, but with the launch prices, they'd seriously nark.
The X-Trans can produce some really hideous artefacts and the X-System as a whole is beset by lens-sensor reflection problems (making them a very poor choice if you like to have the sun in the frame). Although the latter problem seems to afflict all mirrorless cameras, in all fairness. I had an A7R for a while and that had its own share of deeply unattractive lens-sensor reflections, see.
Got my X-Pro2 not long ago. Love the feel of it and shooting with it.
I have never had a camera that I felt in such control of before. I usually am in A priority mode but with this camera I find myself shooting in manual mode the majority of the time. I have a couple gripes I figured I would share.ISO Dial: I do not like.
When you pull it up it is springy and doesn't come up evenly, so it feels wobbly. While you are turning it, if you let off just a tad it slips down and turns the shutter dial. Not a deal breaker for me but seems like they created more work to change the ISO than it needed to be.Back dial: It is mushy to push and almost disappears into the body before it triggers an action.
When trying to zoom in while framing a shot I end up pressing it so hard to get it to activate the zoom, I move the camera and loose my composition. The back dial works much better on my XT-10.Other than these complaints this camera is amazing! A word from an XP-2 user on the OVF. You've correctly identified that the bright-box reduces in size with longer focal length lenses. However I believe your reviewer (s) have missed an important point. Irrespective which lens I use I still get to use all of the OVF, not just part of it. I just get to use more of it to anticipate.I'm using the camera & 90mm lens to photograph roller derby and it does very well. Bluetooth hack for iphone.
In a fast dynamic sport being able to see a large area of action, not merely the tunnel-vision that the sensor will capture makes All the difference.The relatively small area in the bright box gives me a quite large area all around it to see who will be crashing into it in a split second. Having a larger view of that box wouldn't help me. Sacrificing the outer perimeter would hurt.
I obviously need to anticipate action rather than wait for it and then shoot. Watching action develop, trusting the AF and shooting 3 - 5 shot bursts works quite well with this camera. (unknown member)I liked that you can clean up the viewfinder to Q specs and see nothing else - NO little disturbing icons and symbols- just plain black borders around the image ( I wished my Sonys could do that ). What I did not like was that the FUJI EVF displayes a flickering/pulsing phenomenon that the A and Q do not show.Personally I think the Q has the best EVF viewfinder and overall handling. I shoot Leica M since 1989 not because I like Leica but because of necessity.
The Q is the first camera that might make me to change. I liked the Q as a camera but disliked the results for jpegs, the skin tones were very bad.
Also not a fan of 28mm, would have adjusted in post processing of the Q was 35-45mm, it's too wide for family snap shots, people will wind up with exhagerated features if near you.The Fuji EVF does not flicker in high performance mode but battery life is not great in that mode, the Q has better battery life when both cameras are at higher refresh rates in EVF. The best EVF I've used belongs to the SL. Sonys EVF in the A7rII is also very nice but I personally can't stand the menu or dials or autofocus point selecting.
I would caution anyone against buying this camera now. I just had to return my second copy for the Turn Camera Off/Turn Camera On error message.
Additionally neither copy I had would connect to the Instax Printer. I purchased the camera from a very reputable online camera store out of NY. When I called today to tell them I was returning my second copy for a refund, not a replacement, the customer service guy laughed. They have had what he said was “an extraordinarily large amount” of returns on the X Pro2.
Your review was helpful.however, I am annoyed by almost every camera review I read by anybody. They almost always gloss over camera build quality. That is extremely important to determining quality and value. This camera (unlike just about any mirrorless camera) is designed to be used every day. The weather sealing, magnesium body and I assume internal components such as shutter construction etc are (or should be) more durable than average cameras that cost less. It is not all about features and image quality. The Nikon D5500 has a great image sensor but if a working professional tried to use it, it probably wouldn't last long.
That's is the main reason for the D810 and the D5. Not features!
Tell me about the shutter mechanism and internal component build! Fuji states 150,000 shutter life. Although I know my friend had over 400,000 shots on his xpro 1 and the camera is in very good functioning order. The xpro 2 is supposably built better with weather sealing.
This would be nice to include on reviews but I guess it's hard since the cameras are all new when reviewed and most manufacturers don't include details like shutter life on their lower end cameras or any of their cameras for some brands. But shutter life is claimed at the same as most pro cameras from canon and Nikon minus their $6,000 cameras. Similar to Rotherfield, I'm a professional using Canon 1DX, the Fujifilm X-Pro2, is really amazing. Not sure i can give up my Canon for all my work, but for sure some projects can now be done on this little beauty.However, I am having issues with RAW conversions - Capture One does not support it.So I've had to resort to Lightroom, importing from fuji converting the files to DNG then export and reimporting it to Capture One. Is this conversion lossless?
Does anyone have any better solutions to this problem?Please advise! I've used top of the range Nikons, Canons and Leica M cameras for the last 40 years and for my purposes (documentary work) this is quite simply the best camera I have ever owned. I would never have believed that a Fuji would come close to a Leica M, but dare I say it, it's as good as and maybe even better. Yes, it is retro in concept, but I love that (for the same reason I own an Omega Speedmaster watch) and despite having a number of cameras at my disposal this is the one I go to now every time.
No camera is perfect, but for me this is as perfect as it gets.